Stop Overthinking. Start Playing Jazz That Actually Sounds Like Jazz.
Get your hands and ears in sync so improvising feels natural, not like solving a math problem.
Maybe you've wanted to improvise for a while now. You know your scales and theory, but when it's time to solo, you freeze up or fall back into the same patterns. Your playing sounds more like scale exercises than actual music.
I felt exactly the same way when I started. It took me years of trial and error to figure out what was missing. After teaching hundreds of students, I finally distilled everything into the framework you'll learn in this course.
This is the systematic approach I wish I'd had back then. It's how working jazz musicians actually think when they improvise, and it works.
How to Get the Most Out of this Course
FREE PREVIEWWorksheets
My Approach to Soloing
Listening Exercise: Chet Baker on Tangerine
FREE PREVIEWChord Tones Only
Quarter Note Runs
Eighth Note Runs
With Extensions and Alterations
Practicing over a Rhythmic Transcription
What are in-between notes?
Half-Step Approaches
Whole-Step Approaches
Practicing Approach Notes
Swing Articulation
Syncopation
8th Notes vs 8th Note Triplets
Chord Tones on the Beat
Common Mistake
Approaches
Enclosures
Extended Enclosures
Combining Movements
Introduction to Scales
Finding Key Centers
Picking Scales for Key Centers
Dominant Scale
You're a good fit for Beginning Improvisation if...
You know your basic scales and theory, but freeze up or fall back into patterns when it's time to solo
You're a classical pianist (or other musician) trying to figure out how jazz improvisation actually works
Your solos sound like you're running through scale exercises instead of making music
You overthink every note and can't get out of your head when you improvise
You understand chord progressions intellectually but don't know how to navigate them melodically in real-time
You've tried learning improvisation before but the explanations were too fast, too abstract, or too complicated
You want a systematic, building-block approach that starts simple and builds your skills step-by-step
You're ready to stop memorizing licks and start thinking like an improviser
There's nothing to risk. We want you to be satisfied.
If you are unhappy with your purchase within the first 30 days, just reach out to us and we'll give you a full refund.
Get Started learning to improvise immediately.
Jazz Performer / Educator
This course is designed for beginning improvisers—whether you're brand new to jazz soloing or you've been stuck trying to improvise for years. You should know basic music theory (keys, scales, chord quality) and be able to read a lead sheet, but you don't need any improvisation experience. If you're a classical musician trying to figure out jazz, this is exactly where to start.
The course includes about 4.5 of video instruction, but it will take you much longer to master the material. You'll see progress immediately, but don't rush through the lessons. You could spend weeks on each of the exercises! You'll have lifetime access, so you can move at your own pace and revisit sections whenever you need to.
Yes. Most jazz education throws scales, modes, and complex theory at you without teaching you how to actually think like an improviser. This course uses a building-block approach—we start with simple, practical concepts and layer complexity gradually. You'll start improvising in the first few lessons, not after memorizing a bunch of theory.
No. We actually don't get into scales until later in the course. You'll start by learning how to think melodically using chord tones and simple in-between notes. When we do introduce scales, you'll already understand how to use them musically instead of just running exercises.
Absolutely. Many of my students come from classical backgrounds and find that this approach finally makes jazz improvisation make sense. I explain everything in clear, practical concepts you can apply immediately.
While I demonstrate concepts on piano, the principles apply to any instrument. You're learning how to think melodically and navigate harmony—skills that translate across all instruments. Many of my guitar, bass, and horn player students have used this method successfully.
Yes. Consistent practice is more important than long practice sessions. The exercises are designed to be focused and practical. Even short daily practice sessions will build your improvisation skills over time.
You'll have lifetime access to all course materials, so you can revisit any section as many times as you need. You'll also have access to our online community where you can ask questions and connect with other students.
Yes. If you work through the course and don't feel like it's helping you improvise better, just email me within 30 days for a full refund. No questions asked.